#Kill bill whistle song in scary movie movie
#Kill bill whistle song in scary movie series

Herrmann, a master of sonic terror (“Psycho”), can even chill you with a simple whistled tune, a big reason why his theme’s on my list. It was whistled by a brain damaged psychopath before he struck (with two precedents, below). If you recognize the tune whistled by Daryl Hannah as she goes to kill Uma Thurman in “Kill Bill”, it was from Bernard Herrmann’s score for the 1968 thriller “Twisted Nerve”.

I just love how it swings to its own insouciant beat. But I confess, I can’t resist that jazzy, swinging whistled theme! (I’d love to know its whistler!) In fact, I think it’s way too cool for this kind of show.

#Kill bill whistle song in scary movie series

I don’t think lovers of classic TV will argue with me about this choice, which is one of my favorite TV tunes for the reasons above.īy itself, I don’t think this Cartoon Network series is any great shakes. Who can forget that folksy whistled theme, perhaps Earle Hagen’s best-loved one? Titled “The Fishin’ Hole”, it speaks of pole fishing on summer days and all the mythical joys of Southern small town life. The Shadow’s laugh, Benny’s screechy violin, Fibber McGee’s closet…and that eerie, slightly off-key whistle by the eponymous host, once heard, never to be forgotten, which is why I put this only selection from old-time radio on the list. Radio, of necessity, needed sounds that would make their mark upon the mind’s ear of the listener. I love how it expresses the defiant pride, even in defeat, of the British prisoners, even though David Lean’s film will deal it in an ironic way 7.

#Kill bill whistle song in scary movie movie

Some may think the whistling of Kenneth Alford’s “Colonel Bogey March” corny, but I find it one of the all-time great movie scenes. The jaunty whistle, accompanied by jew’s-harp, is one of the sunniest themes. The late Jerry Goldsmith numbered a few westerns among his scores, and this is one of his best. I like this whistled theme also, though it’s the opposite of Morricones. I choose it because that whistled theme sets up the sardonic, ironic tone of the movie practically all by itself. This first film of Sergio Leone’s “Man With No Name” trilogy not only made Clint Eastwood a superstar but also put Ennio Morricone in the movie music pantheon. No one’s ever put a list of musical themes, adapted or original, in a list before, so I thought I’d be the first! All are whistled solo, not part of any songs, and while most are from movies, there are two from TV, and one from the golden days of radio.